Friday, 8 December 2017

More Mittens

November just gone was a really tricky time for me. My overlocker broke. It was being temperamental, as it can sometimes be, which I forgive due to being over 30 years old and only costing me about £60 a decade ago. But this time it just wouldn't respond to my usual solutions to its difficult behaviours. And then it got jammed, and when I forced it by turning the hand wheel a tiny bit of metal pinged off, and then it REALLY didn't work anymore. I was able to take it to the legend that is Richard Mouland (Brighton-based sewing machine repair and servicing dude), and I waited with baited breath for the verdict. Long story short, he was able to re-weld the teensy bit of metal back on and now it works better than ever. PHEW. 

But those were a tense few weeks, and I was left twiddling my thumbs a bit, sewing-wise. Of course, I know that no one needs an overlocker to sew great clothes, but as most overlocker owners would probably agree, once you're used to having one to sew the seams on knit projects and finish the raw edges on woven ones, it's hard to go without. I did a lot of cutting out, and sewing as much as I could on a few projects before having to set them aside until an overlocker came back into orbit. And I FINALLY got round to making these mittens. 

This must be the 200th pair of mittens I've made (I'm exaggerating, but only a bit), but the first in about four years. I started making them in my former job sewing for the textile recycling charity TRAID, and making the first pair of my own from a felted leopard print cardigan with cashmere lining. Two years later, that pair got recut and reworked, receiving a new lease of life with the introduction of a red wool jumper. Around that time I got back into making these on a larger scale, and made a TON which I sold at craft fairs one Christmas under the name 'Smittens'. 

My plan was to continue reusing whatever section of my own mittens was salvageable each time holes appeared, creating a perpetually renewing pair of mittens, kind of like a wooly Doctor Who. However, I'd let four-winter's-worth of wear pass by without remaking them and they has got so hole-y that they weren't really worth recutting. So I treated myself to making a new pair from scratch. My stash of felted and moth-eaten knitwear is dwindling and this is the best combo I could cobble together: lime-y yellow for the outsides and lower insides, geo-grey for the palms, grey/teal for the cuffs and some grey for the lining. Sadly, the lining isn't cashmere so they don't feel quite as soft as my former pairs, but they are snuggly enough. 

Because of the two layers of wool, these really are the warmest of mittens, and I'd whole-heartedly recommend anyone who lives somewhere that gets chilly to harvest some felted or ropey old knitwear and have a go. This is the pattern that I used, it includes seven sizes including men's and children's, and they are really speedy and satisfying to make. So if you're stumped on what to buy someone (or you've run out of funds) this Christmas, this might be the answer. You're welcome. 

Friday, 1 December 2017

Free Pattern Friday: Women's Durango Tank

This is my monthly feature where I road test a free sewing pattern or tutorial: sometimes a children's one, sometimes a women's one. I publish these posts every first Friday of the month, timed to provide inspiration for those of you who plan to get your sew-on over the weekend. I firmly believe that, if you pick your projects carefully, sewing doesn't have to be a crazy-expensive pass time. Thanks to all the amazing pattern designers who have offered up their hard work for us to enjoy for free. 

Last summer taught me that my hot-weather game is weak. And with winter approaching fast, I realise that my cold-weather game is much the same. (I've nailed spring and autumn though.) So in the interests of making comfy clothing that will see masses of wear (as per the discussions in my recent post about trying to make sewing more sustainable), I'm in the market for a decent knit tank (vest) pattern. Something easy and comfy to wear in the summer, that can be scrunched up in a suitcase when travelling to warm places, but that can also be worn as a foundation layer in winter, and maybe even used to sleep in. Thanks heaps to Gillian from Crafting a Rainbow for bringing this pattern to my attention at just the right time, and to Hey June for releasing this free Durango tank pattern

(image source: Hey June Patterns)

Pattern type:

According to the Hey June site, the Durango Tank is a casual sleeveless shirt with a centre back seam (to make sway-back alterations easier) and a longer flared hem. The higher neckline and high-cut shoulders give it a vintage summer concert tee vibe. The Durango is fitted at the shoulder and bust and loose through the waist and hip for an easy fit. It is not meant to cover bra straps, unless you're wearing a racer-back bra.

Sizing info:

This multi-sized pattern has been graded from size 2 to 22, which looks equivalent to US dress sizes. Taking my measurements and following their size info, I cut a size 8 around the shoulders and bust, grading out to a size 10 for the waist and hips. I also folded out 2cm of length just under the bust to account for my short-waisted-ness. Size-wise, I think it's pretty spot on. 

Fabric info:

I couldn't find any fabric suggestions on the website or the pattern PDF, so I went with a light-to-medium weight cotton/elastane single jersey, this one from Girl Charlee in fact. The quality of this fabric is really lovely, with a great stretch and recovery. It was perfect for this project, however I was a little disappointed that the 'gold' sparkles advertised on the GC website are actually a lot more yellow in the flesh. I reckon you could also use a baby rib for this pattern, and perhaps a interlock for a thicker tank.  


First, I must say that I found this pattern a real pleasure to use. Both the digitised pattern and the instructions are really well produced and very easy to follow. The instructions include clear diagrams to illustrate the construction steps, and the Durango tank would be a great project for a less experienced sewer, or someone new to working with knit. Based on my experience of this pattern, I would definitely go ahead and buy a Hey June pattern if one caught my eye. 

However, through no fault of the pattern's, I don't think the Durango tank is the tank pattern for me. Personally, I would prefer a lower neckline, less carved away armholes so my bra straps were covered, a little more shaping in the side seams, and neck and armhole bindings that are the same width as each other. If you search the #durangotank hashtag, you'll see heaps of other people's versions, many of which look really fantastic on the wearer. I think this style suits some people's figures (like Gillan herself) more than others, and that I'm not one of the lucky ones. I do, however, like a number of elements of this tank, including the fit around the bust, the curved hem, and the method of construction. 

Customisation ideas:

The Durango tank is a great basic pattern, but some ways that you could get even more use from it might include:
  • contrast neck and/or armhole bindings (perhaps in rib)
  • add seam lines for colour blocking
  • solid coloured front and a print or stretch lace back
  • redraw the armholes for a more defined racer back look
  • lengthen into a dress
  • as the website suggests, you could apply iron-on transfers or decals
  • add applique

Would I make it again?

No disrespect to this pattern, but I don't think I'll make it again for myself as it is. It's just not the shape of garment I'm looking for. I plan to lower and rebind the neckline on this garment to use as a sleeping top for hot weather, and I may use this pattern as a basis for drafting a different shaped tank because I'm happy with the sizing. 

Thursday, 16 November 2017

The Unsustainability of Sewing

Have you heard about Earth Overshoot Day? Its definition (that I pilfered from this excellent website) is the date that marks when humanity’s demand for ecological resources and services in a given year exceeds what Earth can regenerate in that year. We maintain this deficit by liquidating stocks of ecological resources and accumulating waste, primarily carbon dioxide in the atmosphere. You want to know when 2017's overshoot day was? 2nd August. How depressing is that? So, seeing as governments and businesses aren't taking committed action fast enough to reverse this, it also has to be up to individuals to take steps, where we can, to cut our consumption and therefore the use of energy and raw materials. And let's face it, those of us who have the time to write and read blogs about sewing are probably lucky enough to live relatively comfortable lives, most likely in a developed country. We're the individuals that are in a position to make some changes.

(my newly shortened gingham ruffle Tova dress)

So I've been thinking a lot lately about the unsustainability of sewing, and it has lead to a fair dose of soul searching. I used to think that making my own (and more recently my children's) clothing was a way in which I was making a contribution to reducing my carbon footprint and being more sustainable. In fact, as you may have noticed, the sub-heading of this blog is 'Sewing Sustainably with Style'. (Granted, I came up with that when I was making a lot of garments out of reclaimed textiles, usually secondhand clothing that otherwise might be heading to a landfill, which is probably a more environmentally sound approach than making stuff from brand new fabric.)

My thinking was: if I was making my own clothing, then I wouldn't be contributing so much to all that energy used by hauling raw materials, fabric, trims and finished garments around the globe, from cotton field to the shop floor. I would only be contributing to the fabric production and distribution bit, and powering my sewing machine and heating my iron. And I guess that that is true to a certain extent, but more recently I've been facing up to the fact that sewing is an energy and resource hungry pass time, and that it is unlikely that the carbon and water footprint of the stuff we sew for ourselves is much different than something we may have bought from Topshop. For example, making things in many multiples rather than singly saves a lot of energy per item, and fabric through tighter layplans. A lot has been written in recent years about the ills of the fashion industry, but I have yet to hear about an energy and resource study that makes a direct comparison between mass-produced and home sewn garments, anybody know of one? If one has been done, sadly I don't think us home sewers/ists would come off lightly.

My feeling is that the most sustainable way to dress yourself has to be by simply wearing the garments we already have, and when those things wear out, replacing them with second hand items. However, I'm not advocating that we all stop making our own clothes; you'll have to prise my sewing machine and fabrics sheers out of my cold, dead hands. There are heaps of benefits to sewing your own clothing, Tilly unearthed many of them whilst researching her fascinating provocation paper back in 2011. So my thoughts turn to how can we make home sewing a more sustainable thing to do?

Whatever way I approach this question, I always draw the same conclusion: we have to use our skills to make things that we want to wear many many times, and that will last for years. Obviously, that's probably not going to be possible straight away if you are new to sewing, it's impossible to learn without making mistakes. But when you've got some skills under your belt and know a bit about what you like, here's some things we can all do to ensure that we're sewing as sustainably as possible:
  • Use the best quality fabric you can afford. I know that I definitely plan a project more carefully and take my time to get a great fit and finish when I'm using some really special fabric. Not only is the outcome likely to be more to your taste and body shape, but a better quality fabric will probably hold up to repeated wear and laundering. 
  • Make a toile/muslin. Although making a toile/muslin as well as the finished garment effectively uses twice the fabric than just ploughing ahead with your 'fashion fabric' (not sure why I hate that term so much), but that toile can help iron out any potential fit issues that will lead to a successful finished garment. A 'meh' garment that gets worn only a few times, or  never, may well have been avoided. Plus, once you've perfected the fit of a sewing pattern, you're more likely to make multiple versions that you know will be a success, so working through that initial toile/muslin would have been even more worth while.
  • Returning to an imperfect make. If you can dig deep and find the patience to rework a sewing project that wasn't quite right, you are likely to thank yourself later. Remember this gingham modified Tova dress I made a few months ago?  I eventually mustered up the arsed-ness required to make a very simple modification, raising the hem so that the proportions of the garment worked better, and now it is literally my favourite garment I own and I feel fabulous in it (see pics above). 
  • Analyse your style. Like many sewers, I use Pinterest to ascertain exactly what themes, styles and colours of clothing appeal to me. I then frequently refer back to my boards for inspiration and to check that a new garment project idea is likely to be something that gels with my style and I'll really want to wear. Personally, I collate images of RTW (modern and vintage), other people's creations, sewing patterns I'd like to own, kid's clothing ideas and lots of other categories. Of course, you then have to apply another layer of analysis to check that what you'd like to make is also something that fits with your lifestyle, but I really think that Pinterest has been a huge help in learning about myself and reducing my number of sewing fails. I wish Pinterest has been around during those first couple of years when I was making my own stuff...
  • Getting a good fit. This is linked to the point about making a toile/muslin, of course, but it's worth emphasising again I think! Making a garment that not only look good on you, but also that feels comfortable and non-restrictive, will keep you reaching for that garment rather than passing it over when you're getting dressed in the morning. Let's be honest, if a garment is really comfortable, we'll often even over-look the 'looking good' bit! Hands up who's continued to wear maternity clothing for more than a few weeks after your baby was born... There is a TON of fitting advice on the interwebs, as well as many amazing books on the subject. Recently, I subscribed to a jeans fitting class on Craftsy which includes access to an amazing teacher that you can post questions to and share photos with who will respond with expert advice. 
I'd love to hear from you about this. Do you think 'sustainable sewing' is possible? Is the impact of this pass time a concern you've had? Can you think of any other tips for eliminating sewing project duds and making long-lasting clothing you love wearing?

Thursday, 9 November 2017

Cleo Pinafore Bandwagon

Yep, I've jumped on board the Cleo pinafore bandwagon too. When TATB first released Cleo I liked it, but didn't really think it was my style and perhaps more suited to women in their 20's. Then I saw a million of them on Pinterest and elsewhere online, made and worn by lots of different ages, shapes and sizes of women, and I've loved every single one of them and they look great on everyone. 


I mentioned my Cleo crush to Tilly during a lunch we had together a few weeks before her little boy was born. Afterwards, she generously sent me a copy of the pattern and set of the dunagree clips. No excuse now; this was happening! 

Tilly was right: this is a quick and easy project. I love working with a well-behaved, stable, woven fabric like this pattern is designed for, and I really enjoy some careful, meditative topstitching. I slowed the process down and made life difficult for myself though, because, after a mid-project fitting, I decided it was a bit loose. I took it in about one size at the side seams and continued with the construction. When it was all finished except for the hem, I tried it on again and realised that somehow it was now too small! So I unpicked a lot of my careful topstitching (I had topstitched down the side seams to get them to lay flat), and salvaged as much of the side seams as possible, taking it back out about one size. Gah! 

Because I can never leave well alone, I decided to veer away from the original pattern by drafting an alternative front pocket shape. I had got the idea for these after seeing similar ones on a pinafore in Topshop; they are rectangular patch pockets with a slanted pocket opening. I'm really pleased with them, however I wished I'd stabilised the pocket opening with twill tape as I fear they will stretch out with use. 


I bought this incredible denim (called Super Black!) from Fabric Godmother during a visit to hang out with the Fabric Godmother herself, Josie. It's thick, strong, amazing quality, and VERY black. I pre-washed it using the old tennis-ball-in-the-washing-machine trick. I'll continue to wash it that way going forwards, but I'm pretty sure I could re-dye this pinafore easily if it starts to fade in a way that I'm not in to. 


I really like the utility vibe of this garment. It's like a mum-uniform; I look ready for a long hard day at the childcare coal face. I'm pleased with the finish, and I'm even happy with the short length that I was initially unsure would look very good on me. However, I've only worn it once in the few weeks since I made it. I think that that's because the denim is still very stiff and I'm not used to wearing garments that don't have any stretch in them these days. I need to force myself to wear it a few times to soften it up and get used to the feel of it. 

What about you? Have you had to force yourself into wearing something you've made? Did you end up loving it?

Friday, 3 November 2017

Free Pattern Friday: Kid's Hoodie

This is my new monthly feature where I road test a free sewing pattern or tutorial: sometimes a children's one, sometimes a women's one. I publish these posts every first Friday of the month, timed to provide inspiration for those of you who plan to get your sew-on over the weekend. I firmly believe that, if you pick your projects carefully, sewing doesn't have to be a crazy-expensive pass time. 

I picked this hoodie pattern to write about this month because, if you were making them for a child from 18 months to 6 years old (which are the sizes that these patterns overlap) I thought it might be fun to make along side the retro sweatpants that I tried out for last month's instalment. I didn't think of that before I made this hoodie, but I may dig out that anchor fabric again to make a hoodie from to create a cute tracksuit.  

(image source: Brindille & Twig)

Pattern type:

This basic hooded sweatshirt by Brindille & Twig has raglan sleeves, a kangaroo pocket and optional sleeve seam piping. It is one of the few free kid's sewing patterns that is potentially suitable for chillier weather, so one that I'm keen to help people to discover if they didn't already know it existed. Thanks to B&T for making this available for free!

Sizing info:

This is a multi-sized pattern from 0-3 months to 5-6 years. I made the 18-24 months size because I already had the pattern pieces for that size cut from the first time I made it. Frankie has just turned one and is fairly average sized. I usually find B&T patterns to come out about one size too big, so I was expecting this to be a couple of sizes too large for him at the moment, however I was surprised that this is actually only about one size too big, and he probably could get away with wearing it now.  

Fabric info:

B&T suggest medium weight jersey, interlock or stretchy french terry for the body, sleeves and hood. They warn that using regular sweatshirt fleece may make it difficult to get over head, plus I'd say the arms might end up a little too tight. A cotton/elastane blend jersey or ribbing would be best for the cuffs and waistband.

I used scraps of striped double knit and navy Ponte di Roma, and lined the hood with cream interlock: all leftovers from previous projects. This concoction has worked fine, but the interlock I used the first time round resulted in a softer and cosier garment.  Beggars can't be choosers and I was limited by what was in my scrap box, so I feel my fabric combo hasn't produced the jazziest version of this pattern out there. I tried to add a bit of interest in the form of a little loop of nautical ribbon positioned into the side of the pocket.


This PDF pattern is well produced and very typical of what you can expect from B&T patterns. The construction steps are illustrated with clear photos. I tend to find the scant seam allowances in B&T patterns (about 6mm if memory serves) a bit annoying, and it made the application of the sleeve seam piping a bit tricky. That said, this hoodie pattern comes together quickly and is a very satisfying make.

Customisation ideas:

Ways you might customise this pattern to get different looks might include:
  • plain colour for most of the pattern piece except a crazy print for the pocket and hood lining
  • cutting the sleeves down and making new binding pieces for a t-shirt or tank style hoodie
  • omit the kangaroo pocket
  • omit the waistband, hemming the bottom edge by turning and top-stitching, for a more basic, simplified look
  • if you can find a short enough open ended zip, convert the pattern into a zip-through
  • lengthen the front and back body pieces to make a hoodie-tunic/dress
  • use a different colour fabric for each sleeve (or even each pattern piece!)
  • add features and ears to make the pocket look like an animal head
  • applique or paint features onto the front piece and add ears into the raglan sleeve seams 
  • add fins/eyes/teeth etc. to make the hood into the head of a shark/dinosaur/parrot/unicorn/anything!

(image sources: Seed HeritageMini Boden via NordstromTarget, Bunny pocket source unknown, Wolfe and Scamp)

Would I make them again?

I love how many different looks you could achieve with this pattern by choosing different colour, pattern and fabric combinations. I definitely plan to make more in the future for both my kids, although I'll have to be quick in doing so for Dolores because she is fast approaching the largest size. I'd like to make a hoodie-dress for her, in a cosy fleece if I can find something stretchy enough. And the temptation to make one for Frankie with an animal face incorporated somehow will probably prove too hard to resist. 

Thursday, 26 October 2017

Birthday Pirate Top

Last year, for her third birthday, I made Dolores a princess dress. Thankfully, the desire to be a princess seems to have loosened its grip a little since then, and her pirate games are becoming more frequent. My aim was to make a whole pirate costume, but I realised time was tight so I focused on a top. 


I was pretty sure that some pirate-y vibes would be transmitted by the striped jersey that was left over from my Gable Breton top. But fearing that it wouldn't be sufficiently pirate-y alone, I made a skull and cross bones appliqué using some shop bought felt. 

I used an appliqué foot on my sewing machine for extra visibility so I could stitch really close to the edges of the felt shapes. I love a bit of appliqué, me. Sure, most types of appliqué are super fiddly and time consuming, but I've almost always found that it looks the bomb once it's done.  


I've had my eye on this top pattern since I got the Spring 2015 issue of Ottobre design magazine over two years ago. It's a nice twist on a basic t-shirt shape, I love the bateau neckline and curved hem (I ignored the elasticated sleeve detail). Dolores is now about 104cm tall so that's the size I cut. I probably should have measured the pattern pieces against one of her T-shirts though because it's come up pretty short. It was, however, pleasingly quick to sew together, just like making a mini Agnes top or something. 


I'm happy to report that she has decided to put this on quite a number of times in the few weeks since her birthday. However, despite its 'costume' status, it's clearly comfortable enough to continue to be worn  after her game is over, so it then gets pen, chalk, dinner etc. all down it. I then wince inwardly,  knowing the felt will probably go all bobbly with frequent laundry. But as a wise young Disney character once said, 'Let it go, let it go...'.  

Tuesday, 17 October 2017

La Trop Facile

This project is a definite departure for me, style-wise, and another pattern by my current sewing-pattern-designer-crush, Delphine et Morissette (designer of La Brune). It took me a couple of weeks after finishing it to actually start to wear it, as the look and the volume feel quite different to the rest of my wardrobe. But now that I've broken the seal, it is the garment I'm most excited to put on at the moment and I wear it every day. 


This is La Trop Facile (the 'Too Easy') pattern by Delphine et Morissette, a casual outerwear garment that can be made in a variety of fabrics. If you google this pattern, you'll find a surprising lack of other people's versions out there compared to some of her other patterns, and I'm not sure why this is. I love the no-frills utility of this garment, and, for me, it hits the sweet spot between 'cardigan' and 'jacket' that I didn't know I was missing. 

To buy any of her patterns, you have to make a request via a contact box; it's not an instant download like most PDFs. That may be frustrating if you want to get cracking immediately, but I found it quite charming to have some direct contact with the pattern designer herself. You can then pay via Paypal or bank transfer. Be warned: the PDFs are pretty basic. The patterns tile together like most PDFs, but the look a bit different as they aren't digitised, and the construction step-by-step page/s are in French with no illustrations or photographs. That said, some of her patterns have additional photographic step-by-step assistance through links on her blog but you need to go find the original blog post about each garment pattern to find them. I think. 

But once all that was dealt with and the pattern was cut out and Pat had been bribed into translating the instructions, it really was very easy to make. I veered away from the instructions a few times: once to add interfacing to the neckband (which, annoyingly, I decided to do after I had already attached it and had to carefully unpick the damn thing), another to attach the neckband slightly differently than instructed, by finishing it by hand to get a neater look with my bulky fabric. I also added rectangles of bias binding to the underarm to strengthen the areas where I had to snip into the seam allowance at the curve (see above), plus, I used some ribbon for a back-neck hanging loop instead of making a self-fabric one which I feared would be too thick (see below)


I bought this navy/black matelasse from Fabric Godmother, but I'm sad to say that they sold out of it some time ago. It's basically a stable knit with a slightly spongy quality, plus it's cosy and doesn't crease. The deep, inky-blue colour seems to work relatively well when worn with both the navy and black items in my wardrobe. The pattern designer suggests that this pattern works in a wide range of fabrics. I'm tempted to try this pattern again in a loosely woven fabric for the warmer months (something like this).


As I've already said above, I'm super into this garment. It feels to nice to wear, and has upped my daywear game by helping me look a bit more put-together than if I'd chucked on a cardigan to leave the house. It's also incredibly useful for when I'm wearing Frankie in the baby carrier. I'm hoping I can wear it for as possible layered and with scarves as the weather gets chillier.

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